…..and surely will be if you were silly enough to trudge through the last, extremely daft, post.
I have mentioned (probably many times) my ambition to design an amp. After a year or so I’ve got a bit further with this ambition. It is called ‘A Guitar Amplifier’. Slick, eh? At that rate of progress the second great flood will have swept the planet before I get down to soldering something. At least you will know who it is paddling the ‘Guitar Amplifier’ across the frozen wastes of Biggleswade.
My second idea (on a roll, here) is to entertain you, oh erudite blog readers, with a sequence of blogs that will take you from the very first stages of amp design, though to the…erm….very second stages, etc, etc.
Alright, let’s make start. Questions first, answers second.
What level of marketing bullshit are we going for? Zero, because I don’t care if I sell any, because it’s for me, and because it’s just a fascinating thing to do, to build something that skirts around all the stuff that doesn’t work (or doesn’t work very well) and takes the stuff that does work to another level. Hopefully.
Another question. What colour is it? Don’t care. Next question?
Valve or semiconductor or hybrid of some sort? This sounds a bit serious, and I can see my macaroon dwindling. To come up with an answer to this one, we have to consider what a Guitar Amplifier actually does. The text book answer for this is that an amplifier makes whatever it is going in, bigger when it goes out. It has the property of gain, in other words. But in my Guitar Amplifier, this is only part of the story. A semiconductor of more or less any sort will produce (all things being equal) an output very close to the original input, but bigger, because its characteristics are close to being linear. A valve will rarely do this, it will add things; harmonics for instance, because its characteristics are rarely linear; and also certain sustain capabilities, because it will tend to ring in some degree. A guitar player might find this very attractive, or obnoxious. Two guitar players might have both opinions, it is a subjective thing. As this is for me, I can poke around with it until it sounds as I would like it. Bearing that in mind, I am very likely to produce, at the end of this process, something based on valves.
And CERTAINLY NOT a ‘digital modelling amp’. This is something that can sound like everything but not much like anything.
There we are, a start. Zen saying “A thousand mile journey starts with one step”. But so does a journey to your front door. Doesn’t it?
Tea. Macaroon. But only because it’s nearly New Year. I preferred the ‘Charter Flight’ blog. I got a laugh (and a legitimate macaroon) out of that.