When is a ‘reissue’ patently not a reissue?
Taking an extreme view, anything in a Vox AC30 box, would be unlikely to be called a ‘Fender Twin reissue’. I would be, I would guess, in serious trouble if I was selling a goldfish on ebay that was actually a rhinoceros. You can’t do that sort of thing because it must contravene a trades description thing. Mustn’t it? You surely see my point, even if it does emanate from a cynical old git. That’s me, in case you were in any doubt.
And so, on to the Supro Thunderbolt ‘Reissue’. Apart from the fact that in the original had the power amp in a completely different place (bottom of the case), a quite different preamp arrangement, totally different biasing circuit…..well, the reissue is just the same.
But this was a repair job, so I should be at least a bit more useful than that. It (the reissue) has three power settings on a four pole three way rotary switch. This switch, in the one I had in, had fallen to bits. It effects the power levels in two different ways, and there are two different biasing arrangements associated with this switch. The first position, 60 watt setting switches in a 270ohm 15 watt resistor into the cathode circuit of the 6L6 output valves, so this is cathode (or automatic) bias, and much like the original circuit. In the other two positions (5watt and 1watt if I remember right) the cathode resistor is switched out and the control grids of the 6L6′s have a negative bias voltage applied, which are the other two functions of the power switch.
I think if I owned this amp, I would be wary of switching the power settings without first switching off standby. Just a thought. And now another thought. Tea and a macaroon. Nice thought.